373 безкоштовних аудіофайлів для "Enevelope Filter"

Bansuri concert recording (hariprasad chaurasia,dehli 1976) filtered.

Harp sample filtered 700-1200 hz.

Harp band filtered sample remix.

Claves processed samples remix.

Piano sample filtered 1000-1500 hz.

Piano processed sample filtered 2000-2500 hz.

Harp band filtered sequence remix.

Check out other sounds on my website: https://jakeeaton. Bandcamp. Com/.

This is random noise with low pass filter applied.

171bpm various organ phrase processing.

The filter on the fish tank.

A delayed percussive stab with a low pass filter and atop an lfo.

Filtered noise 50hz overtones and some other things going on.

Recording of fish tank water (filtered) spilling into the tank. Recorded with tascam dr-05.

Filter delayed guitar sample.

Filter delayed guitar sample.

Short keyboard sound.

Generated from a kickdrum.

This might be usefull for a brake;).

Just a short reece loop.

One shot bassy resonated filtered.

Hard deep bassy crackle soundeffect made with ni metaphysical function.

Piano harp sample band filtered remix.

A lo-pass filter on a single note of a synthesizer.

Electric guitar filtered sample.

Electric guitar sample sequence filtered.

Electric guitar sequence filtered.

Electric guitar band filtered sequence remix.

French horn blowing samples studio rexcorded filtering 1000-1500 hz.

French horn band filtered long sample remix and filtered 800-2000 hz.

A 100 bpm synth perc loop, first without and then with a bandpass with its cutoff on a 3-bar sine lfo.

The sound of an air filter in a fish tank. Apologies for the sniffle in the middle.

Harmonic chime windchime oscillators filter chime.

Proper rainforest simulation this- a low-pass filter self-oscillating, with a lot of modulation, run through both a delay and a reverb. The result was not recorded off the mixer, but by means of a hand-held zoom h1n, giving it an ‘outdoor’ ambience.

A granular loop sound with a slight tape echo effect applied. Created with arturia pigments.

Fish tank filter record with sennheiser mkh 416 & sound device 744tde-noise in izotope rx9hope you guys will like it.

Filtered laser tap rhythm.

Filtered korg synth scape.

Atmospheric filter sweep.

Short arpeggiated synth loop. The instrument used is u-he's repro-one synthesiser which is a digital model of the sequential circuits pro one. The first part of the loop features a slow filter modulation. The second part of the loop features the built-in wavefolder distortion built in to the synthesiser.

Composition made using soundedit 16 on mac. This is a human voice saying an unknown word slowed down and looped.

Composition made using soundedit 16 on mac. Mainly done using thesoundedit 16 generated tones put through many different filters.

Violin through filter fx on line 6 pedal.

Processed alto sax sound - approx. C5 w/filter stepping.

Synth loop with lo pass filter and delay.

Strumming a guitar with lo-fi processing.

The result of too much free time (also low-pass filters and lfo).

A simple filter sweep i created using white noise wave and a filter to create the sweep.

This is a sound for videogame. I love notch filters, so, in order to keep the sound less raw and simple, i put some filter modulation and a bit of reverb.

//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".